Wednesday, 8 December 2010

Film Four-distribution

2002 big changes
  • Tessa Ross became controller of Film Four
  • They needed to boost annual investment through third party partnerships
  • Film Four will no longer distribute its own films.
Today
  • Tessa Ross has an increased budget from £8-10 million a year to £15 million.
  • They make between 6-8 films a year.
  • They set up a low budget film studio with the Film Council and distributors Optimum, Warp X
  • Working across TV and film drama also allows for economies of scale and cross fertilisation.
  • Film Four increase income by advertising things with the films e.g cars.
Partnerships
  • Tessa Ross sees Film Four as part of a wider creative community with, for example "Working Title", The BBC and BBC films.
  • Partnership with distribution companies
Warp X and Film Four hub
  • Warp X-A Film Four/UK film council joint project with the Sheffield-based indie Warp-That can finance three low budget films a year.

Additional distribution notes

  • US dominated. They will often pay more than £5,000,000 on British prints and advertising costs.
  • Small British distributors have to get away with £25,000 which covers 3 prints. They must rely on word of mouth and and critics. Negative views can destroy small scale British films.
Incredible Hulk-Thousands of prints
The edge of love-50prints

  • Distribution companies in Britain have to work very differently than in Hollywood.
  • UK film council are helping British film makers to reduce the impact of Hollywood by funding more non-stream films.
  • Studio canal has emerged as a significant force in the UK film making industry
  • "Optimum releasing" which is part of Studio canal has distributed many British films.
  • Studio canal is planning to back project On chesil beach now that Hollywood's Focus Features has dropped out.
The future
  • Should the British film industry side with Hollywood to create only Harry Potter like films? David Cameron thinks so.

Avatar casestudy

Information
  • James Cameron-famed for big productions e.g Titanic
  • Budget=$237,000,000
  • Worldwide box office=$2.6 billion
  • Won awards
  • Cameron is really into technology He had the idea 20 years ago but didn't have the technology to create it.
  • He could edit the image whilst it was being filmed
  • Playing a film in 3D earns more than playing one in 2D
  • Stereoscopic cinema is pirate proof.
  • 70% of the film is CGI, including the female lead.
  • The cast donned motion capture suits, suits with motion sensors on which copy human movement onto computers.
  • It was acted on a "performance capture" stage. The stage was six times bigger than anything used in Hollywood before.
  • They captured the realistic facial expressions using skull caps similar to the suits
  • Motion capture makes 3D much easier , not just because it allows film makers to add special effects later, it lets the position the camera in the virtual world. Similar to how high end computer games are made.
New 3D
  • The new 3D is called "the illusion of depth"
  • It is filmed like our eyes see things. So the cameras film side by side and our eyes put the images together.
  • Cameron developed a innovative film rig which filmed in this fashion.
Marketing innovations
  • On Friday 21st 2009 all over the world there was a 15 minute teaser played showing footage from the film. This was a global marketing campaign.
  • In London 21st April 2010m Twentieth century Fox home entertainment announced that it would launch the industries first rich media interactive trailer, in support of the DVD release on the 22nd .
  • It was done to ensure people it can be viewed on T.V not just at the cinema.
  • There was a digital marketing campaign which as global.
Exhibition
  • Cinemas need to be especially equipped for 3D showings. The screen needs to be silver coated for the correct brightness and glasses distributed.
  • Tickets for 3D are more expensive because of the glasses being lossed etc
  • Most cinemas are not digitally equipped in the UK, 320 out of 3,600 are.

Working Title Films-Distribution

Love Actually
  • Released at the time the film was set, 3rd of November
  • Directed by Richard Curtis, Working Titles favourite for "Rom Coms"
  • Produced by Working Title and Universal Pictures
  • Budget was £45,000,000
  • Grossed £247,472,278 worldwide. Massive profit
  • In the UK it grossed £62,671,632
  • The advertising used the stars from the film
  • November 16th 2003-Premier London
  • November 6th 2003-Premier New York
  • Stars made appearances at both premiers
  • "Below the line" marketing included interviews by cast members
  • "Above the line" marketing included the film being released in different languages
  • The film won several BAFTA's. Target audiences included couples and females.
Wild Child
  • Released August 15th 2008
  • Directed by Nick Moore-New Directer. Working Title try and introduce new and up coming talents
  • Production companies include Working Title, Relativity Media and Studio Media
  • "Above the line" marketing included the poster being released in May 2008, early before actual release of film
  • Film opened in 359 screens after 3 months of advertising.
  • Used pink carpet and nail and beauty bars for premiering audience.
  • This also targets the target audience
  • Budget for the film £20,000,000
  • Grossed £2,196,366 in the UK for 359 cinemas
  • Grossed £19,786,125 worldwide  
  • "Below the line" marketing included a competition for a goody bag.
Hot Fuzz
  • Released 19th February 2007
  • Directed by Edgar Wright
  • Stars-Simon Pegg and Nick Frost
  • Production companies-Big Talk Productions, Ingenious Film Partners, Studio Canal, Universal Pictures and Working Title
  • Universal Pictures-Distribution
  • Exhibited at london MCM EXPO
  • "Above the line" marketing included posters that used intertextuality from Bad Boys to draw action fans etc
  •  "Below the line" marketing included Simon Pegg and Nick Frost posting blog, Facebook page and a competition to meet the actors
  • Target audience-Young males/Comedy and action fans/Shaun of the dead fans.
  • Grossed £80,573,774 in America
  • DVD was released 11th of June 2007.

Film Four films-Distribution

The Lovely Bones
  • Girl murdered
  • Budget: £65,000,000 
  • Distribution company-Paramount
  • Production companies-Dreamworks,Wingnut,Film Four
  • It had a limited release-3 theatres
  • It grossed $44,000,000 in the US
  • DVD release was April 2010-Very soon after theatrical release. Trying to make money.
  • It cost £85,000,000 to market
  • "Below the line" marketing included a 4 minute interview with Peter Jackson the director and featured videos
  • There was a competition to win a trip to NZ ("Below the line")
  • Wasn't much film competition in January
  • Did fairly well due to people's general interest.
  • Target audience- Females 13-20
  • In the US it opened in Theaters in towns near schools and Uni's.
  • Nominated for BAFTA and an Oscar
Releases:
  • 24th November 2009 (royal cinema)
  • 26th December 2009 (NZ)
  • 15th January 2010 (US)
  • 19th February 2010 (UK)

Slumdog Millionaire
  • Directed by Danny Boyle
  • Starred-Dev Patel and Freida Pinto
  • Released-9th January 2009 in UK and 23rd January 2009 in the US
  • Distribution companies-Foxlight search pictures, Warner Bro's, Pathe Pictures and Icon Entertainment International
  • It had so many distribution companies because it had previously been a show and companies wanted in.
  • Target audience-Adults and people who like love stories. Age rating 15
  • Budget was £15,000,000
  • It grossed £243,000,000, it was a massive success.
"Above the line" marketing:
  • Poster released October 2008
  • Second poster was released on buses etc
  • Translated film into Hindi
  • Used search engine tug to advertise.
"Below the line" marketing:
  • Film Four released Banners on google advertising it, these were a cost a click method.
  • Premiered whewre it was set-India.
  • Slumdog website offered free downloads of posters etc
  • Premiers in london took place in a Odeon cinema so it was open to the public as well.
This is England
  • Release:2006
  • Directed by: Shane meadows
  • Budget of £1,500,000
  • Grossed £1,539,372 good result for an independant British film.
  • Sequel "This is England 86"
  • Distribution-Film Four, Warp Films and Optimum releasing
  • It was first premiered in Denmark at film festivals
  • It got good reviews before being distributed
  • "Below the line" marketing-It released the soundtrack
  • It was only agreed to be distributed to a very small number of cinemas
  • It was released in 62 cinemas out of 3,600. This doubled in four weeks due to word of mouth.
  • Its competition was Spiderman 3

Distribution

What is distribution?
What is a distributor?
Marketing and distribution.

Tony Angellotti believes:
  • The audience influence how the film is made
  • Audience decided who is used e.g stars etc
Toby Miller believes:
  • Power isn't with the audience but with Hollywood.
My opinion:
I think that Tony Angellotti is correct, a film would be a flop if it didn't include things the audience wanted to see in it.

What is distribution?
  • Film distribution describes everything that happens in between the making of the film and the screening of it.
  • Distribution involves all the deals done to get films shown
  • "Above the line" advertising is funded by the distribution company and involves billboards, trailers and various spin offs
  • "Below the line" is free advertising e.g fan site and interviews with stars.
Is it all fair?
  • Do distributors treat all films equally and ensure fair play in getting films to the public attention?
  • The big companies who control much of the industry control the distribution of their own products and others. E.g 20th Century Fox and Avatar.
  • Films are released to cinema's for a finite period of time. Release deals are done to get access to a certain number of screens.
Five major distributors dominate the UK film industry, they are:
  1. United International Pictures
  2. Warner Brothers
  3. Buena Vista
  4. Twentieth Fox
  5. Sony
Key points
  • Roughly 9/10 films seen in the UK are Viewed as a result of the five major distributors.
  • In most cases these distributors have direct links to Hollywood production companies, who make films AND exhibitors who prioritise Hollywood films over others for profit.
  • Usually Blockbuster films are released by "blanket release." So even if a small UK company releases a film they have to compete with Blockbusters.
  • One of the outcomes of the above distribution arrangement is that half of the films released go to half the country.
Problems smaller companies face
  • Every film shown in a cinema is a print on a reel. Every cinema it is being showed at needs separate reels for each screen, this costs a lot.
  • Major companies can afford far more prints than smaller companies
  • This is improving due to the use of digital.
The dominance of Hollywood marketing
Does marketing a film really matter?
Pirates of the Caribbean had awful reviews yet still made of over £50 Million in the UK box office. 1.5million DVDs were brought after 10 days of release. Marketing made the film a success.

The Dark Night compared to This is England
The Dark Night was the first big blockbuster in viral advertising.
It cost £185million to make
It was shown on 4336 screens

This is England was made by Film Four
In comparison to The Dark Night it was only shown on 62 screens.

Piracy problem and the film industry
  • Piracy is a major concern of all distributors. Hollywood investigators claim a 10% increase each year in revenue lost due to illegal distribution.
  • Major problem in the UK. The UK film council recommendations include a strategy for responding to Internet distribution and reminding the public that it hurts the UK film industry-effectively using the guilt trip
Digital distribution advantages
  • Promises to reform the film industry more than any technological change since the advent of sound.
  • Once it becomes the norm to digitally download legally via broadband a new type of "blanket distribution" is obvious-not only o you no longer need multiple prints but you can also bypass the cinema.
  • Digital films offer identical versions. Meaning no wear or tear copies and better qualities.
  • Control and security and the eradication of the pirate cinema-goer with a hidden camera. Normal cameras cannot film in 3D.
  • Simultaneous global distribution via the Internet will put an end to the "time gap" of releases in different places and thus its exploitation by pirates.
Release of a film
Marketability-Identifying target audience and devising a strategy to approach them.
Media-You have to decide who best to link up with Web/TV/Radio

Planning a release
Are the audience you're releasing to consumers? E.g know the director from previous films. Are they a Niche audience?

Target audience
If the film being released is a small title then it really has to advertise to the target audience.
It has to advertise to certain age groups in certain places e.g 15-16 year olds will turn up to the cinema for something to do whereas elderly people will plan for up to a week what they want to watch before going to the cinema. Younger audiences are more spontaneous.

Marketing plan
A company will need to find places to advertise E.g Newspaper.

There are a number of different ways to advertise:
  • Free form advertising-Press interviews. "Below the line" advertising
  • Outdoor advertising-Buses/shelters/billboards
  • Word of mouth
Word of mouth is important because it can make or break a film, it is very important for small films when they cannot advertise as much as larger ones and when they appeal for niche audiences.
  • Screening programme-Show public a showing free to try and impress and spread news via word of mouth.
Competition
October half term is important because teenagers and children are off school and the weather is bad so they are looking for something to do.
TV advertising is a winter form of advertising because more people are inside
Outdoor advertising is a Summer form of advertising because more people are outside.
Companies still have to be careful about what films they are releasing against.

Word of mouth
Advanced screenings can promote word of mouth.
If 100 people go to an advanced screening and then this 100 people talk about the movie in a positive way, word will spread quickly. It makes and breaks a film and therefore builds the life expectancy of it.

Budget
  • Television advertising is very expensive
  • Radio is cheaper
Viral marketing
This is the use of the Internet to pass on information. Such as entering a competition or doing a quiz and then sending it on.

Piracy
Piracy is commonly poor quality and a rip off.
20% of DVD sales are pirate DVDs.

Monday, 6 December 2010

What is British Film?

  • A setting in the UK?
  • A focus on British people abroad?
  • A predominantly British cast?
  • A storyline about some aspect of British life?
  • Based on the work of a British actor?
The importnace of the British film industry;
  • Significant returns for the Uk economy through film making , inward investment, film exhibition , DVD rentals and sales and film exports.
  • The UK film council estmates that a succesful British film will make up to 70% of its revenue outside the UK.

British cinema and Hollywood
  • British film production companies have co-production and distribution will Hollywood studios.
  • "British" films can be funded and distrubuted by US companies.
  • Decisions on which British films to produce and to market them.
Hollywood overview:
  • Hollywood is bult around studios.

Green Zone

"Bourne goes epic!" Daily Telegraph
"Blistering thriller" Guardian

Stars:
  • Matt Damon
  • Brendan Gleeson
  • Greg Kinnear

Green Zone is directed by Paul Greengrass, who has also directed Bourne Supremacy and The Bourne Ultimatum. His work on Bloody Sunday earned him his shared first prize at the Berlin film Festival.
He earned the BAFTA Best Writer for his work on United 93. He also received immense critical acclaim for the film; he was nominated for an Oscar.

Plot:
Roy Miller, played by Matt Damon is head of a special unit in search of WMD's (Weapons of Mass Destruction) in the aftermath of the Iraq invasion. Realising soon that something is wrong, Miller takes matters into his own hands and confronts the problem.

Releases:
  • Green Zone was released March 12th 2010
  • It is now out on DVD. Released June 20th 2010

Working title

The company
  • Co chair persons are Tim Bevan and Eric Fellner
  • Bevan founded Working title in 1984
"They have been listed as the most powerful figures in the British industry" BBC News story 2004

  • There are only 42 members of staff
  • These are split between the main Working Title production arm, and the low budget Working Title two.
The secret of their success
"The working title philosophy has always been to make films for an audience-by that I mean play in a multiplex. We totally believe in this because we know it is the only hope we have of sustaining the UK film industry"-Lucy Guard + Natasha Wharton

By this they mean they look for mass audiences not Niche audiences.

Key facts:
  • Founded 1984
  • More than 85 films have grossed over £4billion.
  • Lots of awards e.g Six academy, 26 BAFTAs and 4 Oscars.
  • Impressive catalogue of films, they have a wide range of genres.
Flop films include: Wimbledon, Thunderbirds and Captain Carellis Mandalin.

Working title are best known for blockbusters with Richard Curtis and Rowan Atkinson.

They produce:
  • Literary adaptions
  • urgent political dramas
  • cult low budget projects
They have a formidable record for launching fresh talent such as directors:
  • Joe Wright
  • Shekkar Kapur
In addition to this, it has launched Working Title Two, a subsidary for low budget films with an "independant" appeal.

Why link with Universal?
"We were now part of a big structure, so we spent much less time finding money and much more on developing scripts" - Bevan (more freedom)

Universal pictures owns a 67% stake in the company and many of its recent films are co productions with Studio Canal.

The remaining shares are owned by the companies founders, BBC films and private investors.

Universal involvement
Working Title take smaller projects such as Pride and Prejudice which had a budget of £20million, whereas Universal take hold of much bigger projects such as, The Interpreteur which had a budget of £80million. Universal get heavily involved in the larger budget and bigger production films.

They are tactical about film projects. For example in 2004 Bridget Jones was coming out and they knew that it would be fine whereas they were worried about Shaun of the dead. However it turned out to be a massive hit. Unlike Thunderbirds which was a massive flop.

Working title 2:
  • Smaller lower budget
  • Films it has produced include, Billy Elliot, Shaun of the Dead and Ali G inda House.
  • Working title have to produce 4 films a year. If they do not have time left they give Working Title 2 the films they'd have liked to produce themselves.
Target audiences:
  • "local" (British)
  • "Global" (US, international)
Anglo-American link:
  • American actors play elading roles in British Working Title films.
Important release info:
  1. The trailer must match the market audience.
  2. Is it's got a christmas theme, release at christmas.
  3. E.G never release at the time of a American blockbuster unless you can be sure you have a target audience. Working Title released About a boy against Star Wars II
When Working Title import English DVDs to America they often find there are language barriers. So they include things like a glossary.

Famous directors Working Title use:
  • Richard Curtis
  • Coen Brothers
  • Edgar Wright.