Tuesday, 30 November 2010

Film Four the channel

Film Four themes:
  • 50 films to see before you die.
  • Film Four's Fright Fest was a week of horror films.
Film Four is available on Sky under the movies , channel 315. There is also a Film Four +1 channel, channel 316 on sky. Film Four is also available on Freeview channel 15 but Film Four +1 has been replaced by Channel 4 +1. Film Four is available on Virgin media (Channel number 428, Film Four +1 channel number 430. Virgin also has a Film Four HD channel, number 429) and Freesat (Film Four channel 300, Film Four +1 channel number 301)

Freesat is a digital TV service, similar to Freeview. t offers 140+ channels. It is a small company, only 24 employees and it is jointly owned by BBC and ITV. Packages include Freesat+ to record, pause and rewind and also Freesat HD.

Film Four Successes

Slumdog millionaire

A Mumbai teen is on an Indian version of "who wants to be a millionaire" He knows every answer and is arrested on suspicion of cheating. During his interrogation the reasons for his knowing every answer is revealed.

Directedby Danny Boyle

Stars: Dev Patel, Freida Pinto.

Release date was 9th Janaury 2009

Runtime: 120 minutes

Budget: £15,000,000
Gross: £141, 319,195 (USA)
           £31,283,374    (UK)

Reviews
The Times-James Christopher: 4/5 stars. "Exotic, edgy thrier"
The Guardian-Peter Bradshaw:3/5 stars.It's got punch and narrative pizzazz"

One flew over the cuckoo's nest

Budget: £4,400,00
Stars: Jack Nicholson, Louise Fletcher and Danny DeVito

Jack Nicholson arrices at a mental institute, bargaining his way in to avoid a spell in prison. On arrival he discovers Ratched, a nurse come dictator. He rallies the patients to together to rebel agaisnt her.

Recieved 8.9/10 by IMDB

Grossed £112,000,000 in the USA.

Jaws

Budget: £8,000,000

Stars: Roy Scheider, Robert Shaw and Richard Dreyfuss.

Martin Brody has just become the new cheif of police of Amity Island. The island becomes pestered by a very large shark hungry for people. It comes down to Martin Brody and Martin Shaw to kill the giant shark nicknamed Jaws.

The film recieved four out of five stars from IMDB.

Grossed £69,725,376 in the USA
Grossed £470,653,000 worldwide.

Jaws was the first film to use extensive telvision advertising campaigns. It was advertised every night on prime time telly up to its release.

Film four

Film four was established in 1998

Film four has a budget of £15,000,000 a year

Film four is controlled by Tessa Ross

New releases from Film four include: End of the year, let me in and Slumdog Millionaire.

Film four tend to focus on films on Social Realism.

Film four has recently created Film Four OD. Channel Four partnered with Filmflex to create the new online viewing service.

As it is a British production company it finances British films.

Part of Channel Fours remit was to experiment and innovate and cater for audiences not addressed by other channels (niche audiences)

Film Four fund around 20 films per year.

They look for distinctive films which will make there mark in a competive cinema market.

Films are premiered two years after theatrical releases, they are only premiered on Film Four, Channel four or a sister company.

David Rose, commissioning editor "a preference for contemporary and social political topics"
Examples including My Beautiful Laundrette, Which portrayed a homosexual relationship between a white facist and Omar.

Film Four is in association with the Uk's museum of moving image (MOMI) and often has various film related weeks and weekends. E.g Horror week or sci fi weekend.

Film Four has a subsidary group named the Film Four lab which supports the "newest amd most striking creative voices and visions of tommorrow's cinema in Britain"

Tessa Ross described Film Four:
"The remit is to make adventorous contemporary films outside the studio system"

Slumdog Millionaire was not a usual Film Four film.

"Film Four looks for "contemporary stories which are British talent led"

In the UK, the UK film council, Film Four and BBC films remain the three main financers.

Thursday, 25 November 2010

Regional Identity: The Rotters club

Analyse how regional identity is presented in the clip

The clip starts with the camera panning across a table of food and drink, then it moves onto a frame filled with one characters head. It isn't until he starts talking that we realise that the food is stereotypical. The people in the clip are "Northern" and the food they eat is "hearty" northern food. Chips and beer, most likely bitter. We see individual shots of each character, effectively introducing them into the scene. We see that the bosses are sitting next to each other. The individual shots let us study their faces and it would seem that the bosses look wary and the workers angry. Stereotypical again of northern people. the camera then moves to a shot which shows all of them centered on the table. Giving us an insight into where they are eating. It would seem to be in a pub, implying that the north doesn't have restaurants.

This would seem to be the time to comment on the sound in clip. There is not soundtrack making the music coming from the "pub" and the clink of knives and forks diegetic and natural within the scene. This has been used because it is highly effective in creating social realism inside a scene. The knives and forks are also action codes that imply the action of eating is being undertaken.

However most of the clip focuses on the characters within and it is interesting to see how they are portrayed. The two workers are sat opposite their bosses, becoming an obvious example of binary opposites, evidence being, the workers drink beer whilst their bosses sip on wine. There is tension in the scene with clear mistrust between the two sides. Playing on the northern trade unions. The only time the group comes together is within one stereotypically sexist minute when they all watch the waitress stroll away, with the character we learn to be Roy, jesting with a rather "raunchy" comment, key in presenting beliefs about the north which aren't correct but stereotypically believed. The scene is edited to clearly express the mistrust between the worker Roy, a man who looks most out of place in his suit and the seemingly rambly grey old man, his boss. The tension between the two is made obvious by the how stubborn Roy is, his character being presented in this manor lets us understand the friction between the workers and the bosses, therefore increasing our understanding of the scene.

We learn of the wider northern social unrest when the camera is filled by a shot of an angry Roy confronting, his co-worker, about his son's education. Using the charming terms "poncy toffs academy" we are informed of how the workers are sitting below the bosses. The junior manager's son happens to go to the same school but the worker gets a free grant. Suggesting that without it, it would be impossible for his son to attend. Before this we are again reminded of the clear differences by each characters vocabulary. The older boss uses "son" while Roy uses "kid."

We are introduced to the stereotypical rife fear of homosexuality apparently present in northern society. This is demonstrated in a joke made by the unnamed worker at Collin, the junior managers expense. This issue is brought up once more at the end of the clip when we learn that Collin's boy Ben Trotter has been nicknamed, Bent Trotter. This is when a close up is used to film the almost panic stricken face of Collin.

Regional identity is presented in the clip through the use of stereotypes, this being the easiest way to present a society as stereotypical and infamous as the "North." Obviously these stereotypes are highly unfair but they increase regional awareness in the clip, and therefore making viewing easier.

Regional Identity

The North stereotypes
  • Flat cap wearing
  • Pigeon racers
  • Friendly but "bloody-minded"
  • stubborn and argumentative
  • whippet owning
  • Menail manual (hard) labour
  • Little eductation
  • Sexist
  • thick accent
  • Bitter drinkers
  • Hot pot eaters
  • Miserable weather
  • cobbled streets
Country stereotypes
  • West country-scrumpy addled yokels
  • Incest
  • Stupid
  • Happy
  • Livestock bothering
  • Farm hand yokel
Or
  • Lord of the manor
  • Hunting toff
  • Slow pace of life
  • Have animals

Thursday, 18 November 2010

Editing: Memento

Explain how editing is used in Memento

Editing in Memento is vital to our understanding of how the film works and what themes and stories are being presented within it. In the opening clip the credits role over the sequence being played and we watch only a hand and a  close up of the picture. We can see in the picture there is a gruesome image on display and this brings me to my first point, how editing can change the viewers opinion. At first I believed that the character who was holding the picture was guilty of a condemnable crime and from the gruesomeness of the picture, was a serial killer. But editing can change this and I'll come to this later when I comment on the use of monochrome scenes.

The first noticeable bit of editing is the picture and how it fades out and disappears. The scene is in fact reverting back in time be we notice how the picture is being shaken back. Everything is pulled back into its starting position, gun returning to killer, glasses returning to victim and even the piteous cry of the man returning to his throat. This is done to help us understand what has happened and establishes a path for us to be able to see how this murdered man was finished.

The next scene is one I have already mentioned previously, it is a monochrome sequence of shots. I have called it a sequence of shots because the whole scene is edited. It starts with a close up of the characters eye and then jumps to a close up of the keys. This is a sequence of shots in that instead of panning down from eyes to keys the decision has been made to edit and jump the shot down. This happens again and a shot of The characters face is parallel and squarely sat in the middle of the camera. This is done with with a commentary from who we assume to be the man the scene is focused on. He talks of his "amnesia" and the editing is done to mirror his mind. Editing is used in this film to help us understand the complex base to it.

The next scene starts with a close up of a different picture on the same type of Polaroid film as before, the shots are then edited to help us understand the conservation that arises between our character and a new one who has just walked in. A close up of a pair of glasses in the first scene help us understand that the new character was the dead one beforehand. Throughout the following scene we learn our original character seems to be a detective of some variety with the lines "I've found a lead." I am focusing on the important aspects within the scenes and commenting on them. Mainly close ups, yet there is a number of shots I haven't yet commented on. These are wide angle shots, firstly of a city scape and  then of a house individually placed in the scene to give us an idea about the environment our characters are operating in. One very important aspect to this scene is the close up of the mans pistol. This gives away murderous intent. As well as a close up of a picture with "Kill him" written on it. Throughout the next few sequential shots a "scuffle" arises and I can reference editing called "invisible cuts" in that each edited moment runs so smoothly it appears that it hasn't changed. This is done so as not to distract the audience so they don't think "Oh I'm watching a movie." We see replayed to us the sequence we saw at the beginning, but this time not in a  confusing backwards time lapse. It seems I have just kept talking about close ups but they're are vitally important in a film, especially one as mentally taxing as Memento. They are significant bits of editing because without individual close ups, audiences could easily miss snippets of information of vital importance to the understanding of the scene and therefore to the film. An example is when our character is talking to a man behind a counter, who we assume to be the hotel owner, we see a close up of the picture. If this sequence of shots had been filmed differently and we had both characters center screen as well as the picture being referred to it would be easy for the information to be lost in translation, so to speak. By this I mean it might be easy for us to miss what is being said and the relevant references being made to the picture, therefore leading to us misunderstanding. Edited shots are put into films to let us understand them. We learn in this scene, through editing that our character from the start is guilty of the murder we saw at the beginning. 

Each new monochrome scene links on from the last monochrome scene. Whereas the colours ones don't connect with each other until points overlap. The black and white scenes move forward throughout the film and the colour scenes move backwards until they meet somewhere in the middle of the plot. Editing in Memento is used to let people understand what is happening and is continued to be used like that throughout the rest of the film. Memento is a mentally taxing film in that it seems endlessly confusing so therefore editing is vital to enjoyment of an audience.

Tuesday, 16 November 2010

Skins

How is sexuality presented in the clip?

The sound in the clip I watched was completely diegetic until the last few seconds. It starts with church bells tolling and this straight away links to Sunday, church services and the sabbath. We know Sunday to be a holy day. This is an important cultural code in the scene as people in England know that Sunday is a holy day. This is key in the presentation of sexuality, which I'll come to shortly.
The next sound we here is his alarm clock, which when starts to play is answered immediately, why is he awake? This is an action code, spurring some movement of the character. In this clip it is him jumping out of bed which is the action.

The clip opens with a close up of the character lying in bed. We can see the character is lying in bed, where most people sleep but we can see that he is awake. Immediately we pose the question why is he awake? It is not usual, in typical circumstances, for a teenager to be awake on a Sunday morning. In his face we can see he looks pale and his bed is completely straight, suggesting it hasn't been slept in or the character just hasn't moved because he is awake. The camera angle tracks out slowly from the characters face and this gives us chance to analyse the boys room. The first thing I notice is his duvet, which is very brash. On it is a picture of a naked man and a naked woman. However our character is centered in the middle of both. This suggest that he might be unsure, or that he likes both genders. Making him bisexual. The duvet is a useful prop in that it poses more than one question. Most boys wouldn't have a duvet like he has because it is to brash, or their parents wouldn't let them have it. This duvet is a component in the scene which creates something called an enigma code, basically something which poses a question. We wonder why his parents haven't made any intervention in to the duvet. is he rebelling or have they fallen out due to his sexuality?

Sound in the clip links well into the camera shots. When the camera tracks slowly away from the character the diegetic church bells are tolling away in the background. The camera moves slowly because of the symbolic nature of the bells and a Sunday morning. Sunday mornings are famed for being easy, so like this, the camera shot is slow and easy. This is proven to be when the character towards the last seconds of the scene plays his own non-deigetic music and the camera flashes quickly from moment to moment. Sexuality does link to this also in that Sunday mornings, in biblical terms are the sabbath. Like I mentioned they are holy and religion frowns upon any sexuality other than being heterosexual. this character would seem to be confirmed in his contemplation by the church bells and how neatly they tie in.
When the camera angle is through its track and we have a full view of the room we can see just how tidy it is. Stereotypically speaking, neatness is often associated with being camp and "gay." This would link well to the characters sexuality and presents it well in the scene.

However there are different ways in which sexuality is presented within this clip. If I use the duvet as a prop again I can show that someone who sleeps under something so brash as this must be fairly comfortable with themselves and their sexuality. He may not have had a row about his sexuality with his parents which has caused him to be rebellious and put this duvet on show, he may be simply just more independent than other typical teenagers and may have chosen his own duvet, and not have his mother choose it for him.

Either way you look at his sexuality it is still presented in many different ways throughout the clip.

Sound

Diegetic-Natural sounds within a scene.

Non diegetic-Sound added to a scene -soundtrack. A potential problem is it might be less realistic. a potential benefit is it could be more dramatic.

Sound bridge-Sound which carries on over two scenes, literally creating a "bridge" between events.

Incidental music-short sequence of sound to create an emotion/feeling

Asynchronous sound-a "natural"sound out of place and without a source.

contrapunctual- sound which creates an opposite emotion to the one on screen

Skins Notes
Camera angle-Tracks up and away from the boy in the bed. It starts with a close up.
                       It starts as a close up then tracks out revealing information slowly, letting us analyse everything. Making us notice everything. The camera shots link to the sound being heard. Church bells=slow camera also because it is a Sunday morning and Sunday mornings are slow. His music=fast camera.

Sound-Church bells and alarm clock are both diegetic sounds within the scene. Each sound links to a code as well.
Alarm clock=Action code as he jumps out of bed.
Church bells are a cultural code as we in this country know it symbolises Sunday mornings.

Props-His duvet shows naked man and naked woman. He lies in the middle. Bisexual?
          Suggest he is very comfortable with himself as the duvet is fairly brash.
          In the corner of his room is a stolen trolley. Why is it there? why haven't his parents inquired? 
         
His duvet and trolley form questions-Could he be a rebel?
                                                            Do his parents care?           Each of these is an enigma code
                                                            Is he very open with them?  

His room is very neat. He is very organised-Symbolic code.

He is awake before his alarm. Why is he awake? enigma code.
His curtains aren't drawn suggesting he hasn't slept in the slightest. Been out/not slept.
The light from windows fall across his face, splitting two shadows meaning two personalities.

Tuesday, 2 November 2010

Hotel Babylon

Explain how Ethnicity is represented in the clip. Mention:
Mise en scene/Editing/sound

The clip starts with a man in a suit. He is filmed using a tracking shot from the other side of the pool and the lighting is low, almost mysterious in a sort of night club style. Stereotypically presenting black men in suits to reside in night clubs. Over this scene a soft hip hop sort of music is played. Benjamin meets an old friend who greets him, his friend is again presented as being a stereotypical young, black man who is covered in tattoos and has dreadlocks. He looks like the type of person who would enjoy partying. These two acquaintances are binary opposites of each other. One has found himself a strong, important job, the other seems to have partying on his mind and the idea of "Pootytang."
Benjamin and his friend exchange small talk whilst being filmed by a shot over shot. Firstly over his friends shoulder, then over Benjamen's. His friend brings up the idea of a party and he is shown as being a young man and therefore breaking rules and laws. "Ganja and pootytang." Benjamin seems a bit put out by the the idea of a party, again showing the clear binary opposite between them, he used to party but now he works hard and seems to be grown up. However the conversation puts the idea of them liking to party over there ethnicity and implies that this is what young black males like to do.

The scenes flow well into each other and the next one shows two European maids who are cleaning rooms. The two maids are tracked by the camera as they come round the corner. Each pushes or pulls a cleaning cart. These two maids seem to have a stereotypical job of people who would most likely be labelled in today's society as "immigrants." The first maid, who we deem French explains to the second that the man who's room they are going to clean "pays double for double" showing a stereotypical way of trying to earn more money. A close up of the cleaning card is shown to reiterate this fact. We have a shot over a lengthy period of time, showing the younger cleaner looking anxious and nervous suggesting she doesn't want to do this and is being forced into something she doesn't want to do. Like we picture in eastern Europe.
Once inside the room we have he a close up of the man, who turns out to be Japanese, a race of people who is often stereotyped as being "dirty" or "unclean", buying whatever they want. We then see the maids striping with a shot over the Japanese mans shoulder, frequently reverting back to close ups, showing him looking sweaty, wide eyed and excited. The sound track to the scene is a buoyant beat to which stripping is usually associated. This scene shows two different ethnicity's coming together and again the stereotypical faults of each are shown.

The next scene, which is again edited so it jumps straight into it, shows a woman racing into the room armed with toilet roll. Inside the toiled is an angry English man who has a stereotypical posh accent and is angry. She hands him the toilet roll and comment son how this keeps happening, linking the stripping for the Japanese man to the poor room service. Or even digging at how "immigrants" don't perform properly at their jobs. Not so much attacking the ethnicity of either of the characters in the scene but again presenting a poor side to another characters ethnicity.

The scene after this is of two, what seem to be hotel managers, walking down the corridor. They are filmed by a camera that paces away from them the whole time. This scene leads onto the next well containing both the man and the woman and two new characters. One being the head chef, an Italian named Gianni and the other a co-chef who is English. The scene containing only the man and the woman is important because the dialogue between them reveals that Gianni has been sleeping all over London, with married women. A stereotypically Italian thing to do. We progress to the scene containing all the characters. Giana is in Black and his English Co-chef is in white. Classing foreigners in an evil colour, suggesting it is in their nature to be underhand. Giana is everything that Italians are stereotypically classed as. He looks greasy and is shown to do stereotypical Italian hand gestures, like the kiss on the head. We have a mid shot of him kissing his co-chef on the head. At the end of the scene he is shown kissing his fingers in appreciation to what the business woman says. He is condescending and hurtful about English food. Most people are aware of how Italians are proud of their food and are often portrayed as being snobbish about "English slop." Lastly we have Gianni using underhand fighting techniques, such as the meat cleaver. A close up shot is used to enforce this idea.
I'm going to move onto the English co-chef. He is everything English people are stereotypically categorised as; angry, pathetic, fat and useless at insults. "piggy little eyes" as an example. The camera shows close ups of both their angry faces to enhance and heighten the mood of the scene. The English man is stereotypically shown as being aggressive and Gianni is shown as being sly, greasy and underhand.

Ethnicity in this clip is represented in a poor and disparaging manner, Hotel Babylon makes the ethnicity's of each character fill a common stereotype that is easily related to the culture and background of that person. This simply shows the worst in every ethnicity that is shown in the clip and creates a sinister aspect to everybody present.